Case Studies

Cinelab starts DI facility in Moscow and uses Workflowers services

Cinelab Group is well known for its Camera/Lighting rental business in Moscow, but the postproduction facility opened in February 08 is a new service to complete the range from the shooting to the laboratory. The choice was made to provide the best quality for the clients, using top of the line tools like Barco Projectors, Arri film scanner and recorder, Autodesk Incinerator and Smoke.
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Lupe Post opens DI services in Mexico City and uses Workflowers services for colour calibration

Lupe Postproducciones is a Mexico City based company that decided to add DI to VFX services. Sitting in the nice area of Roma neighborhood, the company is facing the challenge to be recognized as ¨A place made by filmmakers for filmmakers¨, leaded by Miguel Icaza, Lupe Post CEO, who had been working on movies as “El Dorado” and TV series as “Chronicles from Indiana Jones.
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Digital Pictures calls on Workflowers for DI workflow optimization

Based in Melbourne, this Omnilab Media subsidiary has contributed to international successes like Baz Luhrmann’s Australia or HBO’s series The Pacific. Digital Pictures has always been at the leading edge of technical progress. The firm provides services from Digital Dailies, Editorial, Digital Intermediate, Film Recording and Scanning, Lustre Grading, Video Deliverables, HD Blu-ray DVD through to Digital Cinema Mastering and innovative converged media solutions for features, TV and commercials.
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Fake Studio : better, faster, stronger with Workflowers

Fake-Studio is a Canadian reference in visual effects and VFX pre-production. Based in Montreal, the team works on challenging projects like Martin Scorcese’s Aviator or Canadian worldwide break-out film C.R.A.Z.Y. Concerned for the well-being of its clients and the constant raise of they needs, Fake-Studio called on Workflowers.
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